Painting Without a Net

January Pastorale, 17 x 17, Art Spectrum “Supertooth”

I’m calling this post ‘painting without a net” because I did this painting without any photo references. On Friday I drove to western Pennsylvania and back, a trip I take every two months to visit a friend in prison. The weather was lousy so I didn’t bring my camera. But I kept seeing things of interest, like dark cattle on a hill against the blue mountain, and a farm house interestingly placed at the foot of the hills. I saw all of these things in a split second. Yesterday, I decided to make up a composition that would capture some of what I saw and I had a really good time doing it. Aside from the house, the entire composition is really about abstraction: shapes, lines, and color.  I did a basic drawing, but decided to keep myself free to add hills and shrubbery as I felt the composition needed them. I placed a  large tree to the right of the house, then took it out and put in smaller, more wispy trees. I began with Giraults so as not to add thick layers of pastel that would be hard to remove. But I removed very little.

Like many of you, I’m sure, I’m used to working from photos, while also wanting to be a little less detailed, a little more abstract. Pure abstraction doesn’t offer enough satisfaction for me, but I DO love to just play with colors and shapes. Doing landscapes without the crutch of a photo allows me to have a certain amount of freedom while still creating a picture someone else can relate to. I very much enjoyed the articles in the most recent Pastel Journal (Feb. 2013) on three landscape painters and their interpretations, from fairly detailed to very, very suggestive. I want to be somewhere in between–I want my paintings to have the integrity of looking believable and being well constructed. In this painting, I got hung up on the dark bushes in the foreground. I like the shapes, the dark blues, and felt the composition needed them. But then I got worried about reality–would they look like they were in summer foliage amid patches of snow? So I tried to make them look like some kind of evergreen. Then decided to not worry about it a lot. People can make of them what they want!

5 thoughts on “Painting Without a Net

  1. Liking what I’m seeing! Is this in prep for our next workshop?
    I am am also enjoying “Finding Your Style in Pastel.” I will send you a comment on the book soon. I really want to do it justice. As I read I can hear your voice as in a workshop. The examples that you provide are the best that I have come across.

    • Thanks Claire. It’s good to get a comment that isn’t spam! They seem to have discovered my blog. I guess I could say yes, this is in preparation for the workshop, but also just where I’m at at the moment. Tired of trying to find good photos, then being limited by them.

  2. Nothing like like letting your imagination loose. It is so freeing and fun. Welcome to an abstraction frame of mind.

  3. For our group “Piedmont Pastel” in Charlottesville we are using your book for the
    project of the month.Chapter 8 :lost hedge etc…
    Mike Mc gurk introduced your book to us. I did not read everything yet but so far it’s easy to follow the instructions. Will know more at our next meeting in February.

    • Anne–Thanks so much for writing and I’m delighted to hear that you are using the book. Please let me know how it works for you all. Mike McGurk is a great artist–I included four of his pieces in the book.

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