Here is the picture with snow. You’ll notice I haven’t signed it yet! I tried briefly to put in some corn and decided that would be a big mistake. So I used various lights to create a pattern and interest in the snow–a light blue and green and the pink I’d used before for the light areas. I also decided that the two small green buildings (from last image) were distracting and put red over them. Now there is a progression from the reddish building in foreground of lower left to the red barn on the hill. I think this is much more pleasing. If you look very carefully, you’ll see I couldn’t resist adding a small turquoise pail in front of the long building at lower left. I then added the color to the small building behind barn at left and in the dark shadowed area of the barn at right. I added more trees at right, but decided to omit the one on the left, which I included in my initial drawing. I tried to keep the trees simple and understated. This isn’t much like the photograph, nor is it like what I imagined as I was riding in the car, but I like it! I think the colors are more interesting and the piece is a bit more stylized. In two weeks I’m giving a workshop to 6 people on abstracting the landscape and this was done with that workshop in mind. I’d be interested to know what you think!
I am giving a talk to a pastel group (central chapter of the Pastel society of VA) about use of different grounds/paper (not sanded surfaces) and I am curious to know if you do anything to the rives paper before you apply Pastels. What do you like about the Rives paper with pastel? Do you do wet underpaintings on this surface? I enjoy your blog -thanks for taking the time to do demos!
I don’t work directly on the Rives. I add two coats of Art Spectrum Colourfix Liquid Primer. This gives it both grit and texture and colors it as well. I used to use this gel on gatorfoal but found the resulting surface too hard. I very much like the Rives. However, I use 400 weight paper, which I get at Plaza and haven’t been able to order online. After applying the two coats, I put stacks of magazines on top to flatten it overnight. I know of other artists who do work directly on the Rives, but I like the texture that the gel produces. Good luck with your demo. Just did one myself.